Proceedings

mcm2015_book_cover

 

The papers presented at the conference are published in a volume, Mathematics and Computation in Music: 5th International Conference, MCM 2015, London, UK, June 22-25, 2015, Proceedings, which appears as Springer’s Lecture Notes in Artificial Intelligence 9110.

 

Access to the proceedings book is freely available for a four week period following the start of the conference. To access the papers, please go to http://link.springer.com/book/10.1007/978-3-319-20603-5.

Please find below the list of accepted papers.

LONG PAPERS with ORAL PRESENTATION

SCALES

  • Emmanuel Amiot. Can a scale have 14 different generators?
  • Marco Castrillón and Manuel Domínguez. On the step-patterns of generated scales that are not well-formed
  • Thomas Noll. Triads as modes within scales as modes

PERFORMANCE

  • Maria Mannone and Guerino Mazzola. Hypergestures in complex time: creative performance between symbolic and physical reality
  • Matteo Balliauw, Dorien Herremans, Daniel Palhazi Cuervo and Kenneth Sörensen. Generating fingerings for polyphonic piano music with a tabu search algorithm
  • Luwei Yang, Elaine Chew and Khalid Z. Rajab. Logistic modeling of note transitions

MUSIC GENERATION

  • Jaime Arias, Myriam Desainte-Catherine, Carlos Olarte and Camilo Rueda. Foundations for reliable and flexible interactive multimedia scores
  • Carlos Almada. Genetic algorithms based on the principles of Grundgestalt and developing variation
  • Tsubasa Tanaka and Koichi Fujii. Describing global musical structures by integer programming on musical patterns

NOTATION AND REPRESENTATION

  • Florent Jacquemard, Pierre Donat-Bouillud and Jean Bresson. A structural theory of rhythm notation based on tree representations and term rewriting
  • Liang Chen, Rong Jin and Christopher Raphael. Renotation from optical music recognition

GEOMETRIC APPROACHES I

  • Robert Peck. All-interval structures
  • Tobias Schlemmer. Unifying tone system definitions: ordering chromas
  • Alexandre Popoff, Moreno Andreatta and Andrée Ehresman. A categorical generalization of Klumpenhouwer networks

GEOMETRIC APPROACHES II

  • Ozgur Izmirli. Constructing geometrical spaces from acoustical representations
  • Clifton Callender. Geometry, iterated quantization, and filtered voice-leading spaces
  • James Hughes. Using fundamental groups and groupoids of chord spaces to model voice leading

POST-TONAL MUSIC ANALYSIS (FOR HARMONY AND MELODY)

  • Jason Yust. Applications of DFT to the theory of twentieth-century harmony
  • Kate Sekula. Utilizing computer programming to analyze post-tonal music: contour analysis of four works for solo flute

PATTERNS

  • Marcelo Enrique Rodriguez Lopez and Anja Volk. Location constraints for repetition-based segmentation of melodies
  • Mathieu Giraud and Slawek Staworko. Modeling musical structure with parametric grammars
  • Andrew J. Milne, David Bulger, Steffen A. Herff and William A. Sethares. Perfect balance: a novel principle for the construction of musical scales and meters

DEEP LEARNING

  • Stefan Lattner, Maarten Grachten, Kat Agres and Carlos Eduardo Cancino Chacón. Probabilistic segmentation of musical sequences using restricted Boltzmann machines
  • Bob Sturm, Corey Kereliuk and Jan Larsen. ?El Caballo Viejo? Latin genre recognition with deep learning and spectral periodicity

SHORT PAPERS with POSTER PRESENTATION

  • Alexandre Popoff. A statistical approach to the large scale structure of John Cage’s Number Piece Five5
  • Eita Nakamura and Shinji Takaki. Characteristics of polyphonic music style and Markov model of pitch-class intervals
  • Rafael Valle and Adrian Freed. Symbolic music similarity using neuronal periodicity and dynamic programming
  • David L Clampitt and Jennifer Shafer. Greek ethnic modal names vs. Alia musica’s nomenclature
  • Masatoshi Hamanaka, Keiji Hirata and Satoshi Tojo. Structural similarity based on time-span sub-trees
  • Robin Laney, Robert Samuels and Emilie Capulet. Cross entropy as a measure of musical contrast
  • Raymond Whorley and Darrell Conklin. Improved iterative random walk for four-part harmonization
  • Christopher White. A corpus-sensitive algorithm for automated tonal analysis
  • Gilles Baroin and Hugues Seress. The Spinnen-Tonnetz: new musical dimensions in the 2D network for tonal music analysis.
  • Dimos Makris, Maximos Kaliakatsos-Papakostas and Emilios Cambouropoulos. A probabilistic approach to determining bass voice leading in melodic harmonisation
  • Brian Bemman and David Meredith. Exact cover problem in Milton Babbitt’s all-partition array
  • Johanna Devaney. Evaluating singer consistency and uniqueness in vocal performances
  • Katerina Kosta, Oscar F. Bandtlow and Elaine Chew. A change-point approach towards representing musical dynamics
  • Ryan Groves. Finding optimal triadic transformational spaces with Dijkstra’s shortest path algorithm

DEMONSTRATION

  • Gilles Baroin and Hugues Seress. From circle to hyperspheres, part III, exploring new mathemusical dimensions

Mathematics and Computation in Music